The Perfect Neighbor Review: Unpacking a Infamous Shooting Via the Lens of a State Cop's Body-Cam

The real-life crime category has an innovative format, or perhaps even a whole new language and structure: officer-worn camera recordings. Faces of victims, witnesses and potential offenders appear suddenly to the cameras, at times in the harsh glare of headlights or torches as the officers approach, their faces and voices expressing wariness or panic or anger or suspiciously contrived innocence. And we frequently catch sight of the faces of the law enforcement personnel, one waiting impassively while the other conducts the inquiry with what occasionally seems like remarkable hesitation – though perhaps this is because they know they are being recorded.

An Emerging Pattern in Non-Fiction Cinema

We have previously seen the Netflix real-life crime film The Gabby Petito Case, about the killing of an Instagram influencer by her boyfriend, whose main point of interest was officer recordings and in which, as in this film, the police seemed extraordinarily lax with the suspect. There is also the acclaimed short film Incident by Bill Morrison, made exclusively of officer footage. Now comes Geeta Gandbhir’s documentary about the tragic incident of Ajike Owens in Ocala, Florida, a woman of colour whose four young kids reportedly bothered and tormented her white neighbour, Susan Lorincz. In 2023, after an escalating series of neighborhood conflicts in which the authorities were summoned multiple times, the accused shot Owens dead through her closed front door, when Owens went to the neighbor's residence to address her about throwing objects at her children.

The Police Inquiry and State Laws

The arresting officers found evidence that the suspect had done online research into Florida’s “stand your ground” laws, which permit residents and others to use firearms if there is a significant presumption of threat. The documentary builds its story with the body cam footage captured during the repeated police visits to the scene before the shooting, and then at the disturbing and disordered crime scene itself – prefaced by 911 audio material of the caller contacting authorities in a melodramatically shaky voice. There is also police cell footage of the individual which has a chilly, queasy fascination.

Portrayal of the Accused

The film does not really imply anything too complicated about the neighbor, or any mitigating factors. She is obviously disturbed, although the children are heard calling her a derogatory term, an ugly jibe. The production is showcased as an example of how self-defense regulations lead to unnecessary and heartbreaking violence. But the fact of firearm possession and the constitutional right (that longstanding U.S. legal right that a deceased pundit notoriously said made firearm fatalities a price worth paying) is not much emphasized.

Officer Questioning and Gun Culture

It is possible to watch the officer questioning segments here and feel astonished at how minimal concern the police took in this aspect. When did she buy her gun? Did she receive any instruction on handling it? Was this the first time she discharged the weapon? Where did she store it in the house? Could it have been easily accessible and prepared? The police aren’t shown asking any of these undoubtedly important questions (though they may have done in recordings that didn’t make the edit). Or is gun ownership so normal it would be like asking about kitchen appliances or toasters?

Detention and Consequences

For what seemed to her neighbors a extended period, the suspect was not even taken into custody and indicted, only detained and even offered a hotel stay away from home for the night (another point of comparison, by the way, with the Gabby Petito case). And when she was ultimately formally arrested in the holding cell, there is an extraordinary sequence in which the individual simply refuses to stand, refuses to put her wrists out for the handcuffs, not aggressively, but with the courteously pathetic demeanor of someone whose mental health means that she is unable to comply. Did the gentle handling up until that point led her to think that this could be effective?

Final Outcome and Judgment

It didn’t; and the panel's decision is revealed in the end titles. A very sombre portrayal of U.S. justice and consequences.

This Documentary is in cinemas from October 10, and on Netflix from 17 October.

Dr. Steven Jordan
Dr. Steven Jordan

A seasoned political analyst with over a decade of experience covering UK governance and policy developments.